She attributes these years with providing her a deeper understanding of America and helping her realize her passion for teaching. She traveled throughout the state visiting elementary schools, high schools, colleges and communities, conducting writing workshops and giving readings. Career Īfter acquiring a master's degree in 1975, Alvarez took a position as a writer-in-residence for the Kentucky Arts Commission. She then received a master's degree from Syracuse University (1975). Marshall Poetry Prize) and then transferred to Middlebury College, where she obtained her Bachelor of Arts degree, summa cum laude and Phi Beta Kappa (1971). Īfter graduating from Abbot Academy in 1967, she attended Connecticut College from 1967 to 1969 (where she won the Benjamin T. These intermittent exchanges between countries informed her cultural understanding, the basis of many of her works. As a result, her relationship with her parents suffered, and was further strained when every summer she returned to the Dominican Republic to "reinforce their identities not only as Dominicans but also as proper young lady". At the age of 13, her parents sent her to Abbot Academy, a boarding school, because the local schools were not considered sufficient. She was encouraged by many of her teachers to pursue writing, and from a young age, was certain that this was what she wanted to do with her life. This caused her to turn inward and led to her fascination with literature, which she called "a portable homeland". Īs one of the few Latin American students in her Catholic school, Alvarez faced discrimination because of her heritage. would be like trying for cathedral ceilings in a tunnel". In How the Garcia Girls Lost Their Accents, a character asserts that trying to raise "consciousness. She experienced alienation, homesickness, and prejudice in her new surroundings. Īlvarez's transition from the Dominican Republic to the United States was difficult Sirias comments that she "lost almost everything: a homeland, a language, family connections, a way of understanding, and a warmth". In 1960, the family was forced to flee to the United States after her father participated in a failed plot to overthrow the island's military dictator, Rafael Trujillo, circumstances which would later be revisited in her writing: her novel How the García Girls Lost Their Accents, for example, portrays a family that is forced to leave the Dominican Republic in similar circumstances, and in her poem, "Exile", she describes "the night we fled the country" and calls the experience a "loss much larger than I understood". Critic Silvio Sirias believes that Dominicans value a talent for story-telling Alvarez developed this talent early and was "often called upon to entertain guests". She grew up with her extended family in sufficient comfort to enjoy the services of maids. When she was three months old, her family moved back to the Dominican Republic, where they lived for the next ten years. Julia Alvarez was born in 1950 in New York City. In addition to her successful writing career, Alvarez is the current writer-in-residence at Middlebury College.īiography Early life and education In recent years, Alvarez has expanded her subject matter with works such as ' In the Name of Salomé (2000)', a novel with Cuban rather than solely Dominican characters and fictionalized versions of historical figures. She is known for works that examine cultural expectations of women both in the Dominican Republic and the United States, and for rigorous investigations of cultural stereotypes. Many of Alvarez's works are influenced by her experiences as a Dominican-American, and focus heavily on issues of immigration, assimilation, and identity. īorn in New York, she spent the first ten years of her childhood in the Dominican Republic, until her father's involvement in a political rebellion forced her family to flee the country. Alvarez has gone on to write several other books for young readers, including the "Tía Lola" book series. Her first picture book for children was "The Secret Footprints" published in 2002. Julia Alvarez has also written several books for younger readers. Many literary critics regard her to be one of the most significant Latina writers and she has achieved critical and commercial success on an international scale. Her publications as a poet include Homecoming (1984) and The Woman I Kept to Myself (2004), and as an essayist the autobiographical compilation Something to Declare (1998). She rose to prominence with the novels How the García Girls Lost Their Accents (1991), In the Time of the Butterflies (1994), and Yo! (1997). Julia Alvarez (born March 27, 1950) is an American New Formalist poet, novelist, and essayist.
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